Helmed by Bristol sound co-founder Geoff Barrow, this scabrous if slight first film turns a sceptical eye on 90s rave culture. Self-serving pillhead David (the actor) first robs an passed-out supplier, then in a later recollection tries to break into his own family home. In no time, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The bigger point – that the rave-era youth were primarily out for themselves – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, enraged after David kills his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman withholding his jerrycan of cider, determined to dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
Just a single important plot development, but it results in a hilariously staged chaotic run on the forest trails that veers toward rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the early stages, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
The film is in British and Irish theaters from November 17.
